Russian Fog

I took a drive up to Oceanside, CA this morning. With me I had my Speed Graphic and my Isolette III. I haven't shot the Isolette in a while which is tragic because I really like the camera. However, I had loaded it with my least favorite film ever, Svema FN64. I shouldn't say that it is my least favorite film because there are films I have shot that gave no image whatsoever and those top the list for sure. Also, there are examples of FN64 that have produced perfectly acceptable results. I had bought a batch of 10 rolls on the auction site and for whatever reason, these rolls are fogged badly, in a weird way. I think I mostly wanted to just get it out of the freezer, but I feel bad about trashing film, even if it doesn't make images I like. Well, I guess I could sell it to the next unsuspecting bargain hunter, but I don't like foisting (that's right, I said "foisting") my problems on other people. So every once in a while I pull a roll out and shoot it, just in case something good might happen. I had shot that film before at iso 16 and there was one or two shots that were worth scanning and sharing, so I figured I'd try that same iso again. Once I get below 16, handheld gets harder to do and this was going to be my carry around camera for a week, so I didn't want to have to have a tripod everywhere. Maybe next time, I'll try 5 or 3.

Anyway, here are some results.

Note that you lose the last frame to the old tape. Seriously.

The gear and film.

Strange New Development

I am unafraid of getting chemicals on my hands (figuratively) and mixing up concoctions. I have spent my share of time in the lab and have even blown a couple of things up, so mixing up photochemistry is not a problem. Additionally, I am comfortable with a certain amount of uncertainty in my photographic outcomes. I don't shoot weddings anymore, so no world is going to end if I totally screw up what I am doing. So when I recently became aware that X-tol and Rodinal could be mixed and that the results might encapsulate the best of both of those developers, I was on it. I had some X-tol powder that I weigh into 1L portions and I had some Parodinal, so I figured I would shoot some 4x5 Kodak CSG and some Arista Ortho Litho and see what came out of it. Normally, I would develop CSG shot at iso 80 in parodinal diluted 1:100 for 4.5 minutes, so I used that as a starting point and at the last minute decided to cut it in half. I shot the Arista at iso 3, but I haven't worked much with this film, so I don't have a standard development for it. My standard dilution for X-tol is 1+3. So 250 mL of X-tol, 5 mL of parodinal and top off to 1L. Nothing exploded, so I figured I was good to go. I chose 5 minutes with 4 inversions every minute. The temp was probably around 68F. Stop was with tap water, changed 4 times. Fix was 2 minutes in Ilford Rapid Fix. Both of these films have extremely thin emulsion layers and actually fix in about 15 seconds.

The Ortho Litho turned out with VERY high contrast as might be expected. Here are a couple of the shots.

The CSG was much more tame and the negs looked 'normal' as far as exposure and density goes. I think the grain might be a bit smoother with this X-tol based developer. Hard to say without some sort of side by side with the same exposure of the same subject, but my gut says it is smoother. I know, not very scientific, but this is my hobby not my job. I don't have to be quantitative if I don't want to.

The Resilience of Film

I decided to visit a thrift store down in a part of town that I don't really get to very often. I had seen on CraigsList that they had some "darkroom equipment", so I thought I would go check it out. When I got there, the selection was sort of meager, but the prices were better than the 'bay', so I decided to have a closer look. There were a couple of Watson daylight film loaders and I can always use another one of those, so I picked one up. It had a typed (like on a typewriter) label on it that said "KODALITH ORTHO type 3 / 6556 film". I had a thought that there may still be film in it, so I did what any kid rummaging around under the Christmas tree would do... I shook it. It rattled a bit. It wasn't heavy like it had a full roll, so maybe there was just an empty spool in there. I decided to take a peek. What's the worst that could happen? If it was empty, no harm. If there was film in it, it wasn't very much and it was old iso 6 ortho film that had been sitting on a shelf for who knows how long and was probably fogged anyway. But I didn't just tear the lid off, I carefully cracked it a little and looked in. There was indeed film in there. Was it labeled correctly? Had someone else opened it and exposed the whole thing? How old was it? These were all unanswerable questions that really didn't matter. I needed the loader, so I bought it. The only question that mattered about the film was "Is it still any good for taking pictures?" and the only way to answer that was to stick it in a camera and shoot it. So that's what I did.

I loaded one roll of about 24 exposures and put that aside. I figured if my peek had fogged anything it would be most evident on the 'outer' parts of the roll. So I loaded another roll of about 20 exposures and put it in my trusty Pentax K1000. This was just a test roll, but I still tried to make a little effort to get something I would like to look at. I have never shot a picture of a test chart and I'm not going to start now.

I had some Kodak X-Tol developer mixed up already, so I decided just to use that at 1:1 with dH2O. I cut the leader off and did a quick test to make sure the developer was still good and to check the fixing time. I dunked the leader in developer for 5 minutes and it looked pretty opaque. Then I fixed for 4 minutes and the undeveloped area cleared in about 2 minutes, but the developed area got a bit less dense too. So I decided on a 10 minute dev time and a 5 minute fix. I don't have enough of this film to worry about figuring out 'the right' times and concentration. I probably only have enough in the loader to make 2 more 24exp rolls, so this is just for fun and for the information of anyone who might find themselves in a situation where they have to decide whether to keep some old unknown film or toss it.

So without further ado, here are some of the results... The highlights (and some of the mid-lights) are blown in all of them, and there is indeed some fogging (probably from my peek) on some frames. In fact in some (not shown here) there are only blown highlights! I think I may have over-exposed using iso 10. Next roll I will try iso 20 and see what happens. It is high contrast film by design, so a full range of tones is not to be expected. But the mere fact that I got recognizable images from this poor tormented film is really a credit to the medium. This film went out of production in 2002. Digital formats that old are already obsolete! So I'm going to enjoy my last few feet of this good found film and treat it with the respect it deserves. Thank you Kodak for making products to last decades, indeed centuries!!